It sounds futuristic when I talk about it, but I have a sense that it’s the way 99% of music gets made now, so in a lot of ways it’s maybe the most generic-sounding Destroyer record ever. It wouldn’t be a poem. I’m sure maybe Tarkovsky was an influence… or at least was like a liberator, like, “He does all these things I can do too.”The images are vivid because of their particular bizarreness of language. I don’t know what it would like.I don’t know enough about writers to know how many share my process. I’ve never felt like I’ve sat down and attacked a theme in my life.Not to rip apart the facade of my five inspirations on [the] Pitchfork Instagram post but I feel like that was something I just threw together.I don’t know. That’s why it’s tough to reckon yourself as a writer or artist, because you know your time in theory is played out and your best work is behind you. What some people call themes, I just call my nervous tics. I mean, I’m just making this up as I speak: I’m sure I’ll deny all of it.In interviews, Bejar displays an analytic mind capable of engaging with his own work as if he was talking about someone else. And say less. Destroyer's Dan Bejar: 'It's embarrassing to make rock music in your 40s' ... Dan Bejar. Even though when I’m singing about it, I sound, at least to myself, more relaxed and casual then I’ve ever sounded. I think Swiss writers maybe have access to dark places we don’t know about it. A) They seem to take place in a kind of like pretty menacing world. It means it’ll never change.It’s like sometimes Vancouver gets a certain version of grey where it all blends together into one thing.It seemed to come up in some kind of unnamed darkness encroaching. I didn’t need to burn it and spread its ashes everywhere.Yeah, a couple years back I was burning through her books. Bejar has described his writing in terms of brush strokes or a painter’s colours, hinting at desire to evoke rather than describe. I feel like Destroyer writing has been kind of an etched in stone thing for a while now. Ghostly wisps of synths glide past lyrics dripping with dread. That’s not an accident. I don’t know what kind of book—I have writing that didn’t end up in songs, but I don’t know what it is. It’s kind of going through them a little bit, but it happens pretty fast. Or my hang-ups. ‘My Number One Rule is to Never Try to Write’: An Interview with Dan Bejar. Not for writing.His lyrics, often mistakenly labeled as abstract, are deliriously specific: it’s just that the world he’s building is not ours. At some point the point of the mystery will fall by the wayside, in favor of like, a very salient brutal moment right at the end of the book. No, no fucking desk, no way.

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