Because downtown east of Hill St. is devoid of public sources for drinking or washing, for instance, hundreds of homeless--many of them young Salvadoran refugees--are forced to drink and wash from the sewer effluent which flows down the Los Angeles River.An urban-history instructor at CalArts, Davis focuses on those less flattering realities that Starr passed over in pursuit of the dream: Where Starr hails the “Bismarckian municipal will” that created the mammoth Red Car transit system and San Pedro port virtually overnight, Davis reminds us that the same will also smashed L.A.'s labor movement; where Starr celebrates black leaders like Ralph Bunche, who saluted the “indomitable will and boundless optimism” of young African Americans, Davis reminds us that many more sympathized with Langston Hughes, who despaired that “so far as Negroes are concerned, Hollywood might just as well be controlled by Hitler.”The freeway has been a favorite metaphor for writers trying to fathom Los Angeles for so long that opinions about this town can be virtually divided into day and night views.California office spaces are expected to keep getting emptier and their rent prices will likely keep declining for years as the pandemic fallout persists, according to an Allen Matkins/UCLA Anderson Forecast survey.L.A.-bashing was a thriving industry, of course, long before Fred Allen dubbed this town “a nice place to live if you’re an orange.” But Mike Davis’ “City of Quartz” is the first major study to examine a broad range of “daytime” problems with consistent acuity.Unfortunately, most writers seem inclined to view us in the less flattering light of day, when those long streams fade to reveal symbols of intractable problems, from isolated cars (separating classes and ethnicities in a city where dynamic public space is increasingly scarce) to snarled traffic (the consequence of a developer-dominated political Establishment that has set our collective sight on the short-term).Such sardonic phrases--vintage Davis--give us that pleasant feeling of savvy insiders contemplating the follies of others. Mike Davis is the author of several books including Planet of Slums, City of Quartz, Ecology of Fear, Late Victorian Holocausts, and Magical Urbanism. In City of Quartz, Mike Davis turned the whole field of contemporary urban studies inside out.With a lively combination of investigative journalism and historical sociology, powered by an engaging prose style, Davis constructed a view of Los Angeles and its history that was as memorable as it was controversial.
City of Quartz: Excavating the Future in Los Angeles is a 1990 book by Lean Library can solve itShare this article via social media.If you have access to journal via a society or associations, read the instructions belowIf you have the appropriate software installed, you can download article citation data to the citation manager of your choice. »City of Quartz« erschien zuerst 1990 in den USA: Das Buch avancierte schnell zu einem international anerkannten Klassiker der Stadtentwicklungssoziologie. If you have access to journal content via a university, library or employer, sign in hereYou are adding the following journals to your email alertsSome society journals require you to create a personal profile, then activate your society accountView permissions information for this articleI have read and accept the terms and conditionsIf you have access to a journal via a society or association membership, please browse to your society journal, select an article to view, and follow the instructions in this box.Click the button below for the full-text contentWith institutional access I can:Access to society journal content varies across our titles.Accessing resources off campus can be a challenge. Mike Davis is the author of several books including Planet of Slums, City of Quartz, Ecology of Fear, Late Victorian Holocausts, and Magical Urbanism. He was recently awarded a MacArthur Fellowship. Specifically, it compares the visions of suburban Southern California presented in … 2000" may be considerably less likely than the “Blade Runner” scenario.The seeds for such a scenario are being sown, Davis writes, in local politicians’ financial dependence on wealthy developers like billionaire Donald Bren, which leads to an obsession about luring ever more capital into downtown that can eclipse other goals, such as bringing social programs into the inner city. But the same arch sensibility also leads Davis to rash conclusions, as when he suggests that our cultural Establishment is ignoring indigenous art as part of a conscious attempt to quell the underclass.
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