It’s been a while since I wrote one of these “The Story Behind…” posts, but felt like doing a new one.
Warner Brothers, Fox, Loews/ MGM, Paramount, 1st National and Universal all used Western Electric’s technology, so RCA was desperate to make a deal with any studio.Yeah, I read that he was involved, but decided to leave bits out in my description. Under new production chief Samuel Briskin, appointed in late 1935, RKO also entered into an important distribution deal with Berman, who had received his first screen credit as a nineteen-year-old on FBO's Charles Koerner, former head of the RKO theater chain, had assumed the title of production chief some months prior to Schaefer's departure. I just watched an RKO picture, “The Hunchback of Notre Dame” (1939) starring Charles Laughton and Maureen O’Hara ! By the early 1930s, RKO was producing over forty pictures a year, releasing them under the names "Radio Pictures" and, for a short time after the 1931 merger, "RKO Pathé." By 1956, RKO's classic movies were playing widely on television, and for some half-forgotten films like The new owners of RKO made a half-hearted effort to run the studio, hiring veteran producer William Dozier to head production. 1 reference. Completed pictures would be sent back for reshooting if the stars, especially female, weren't presented to his liking, or if a film's anticommunist sentiments weren't sufficiently blatant. Snow White and the Seven Dwarfs (1937) Pinocchio (1940) Fantasia (1940) The Reluctant Dragon (1941) Dumbo (1941) Bambi (1942) Saludos Amigos (1943) The Three Caballeros (1945) Make Mine Music (1946) Song of the South (1946) Fun& Fancy Free (1947) Melody Time (1948) So Dear To My Heart (1948) The Adventures of Icahbod& Mr. Toad (1949) Cinderella (1950) Treasure Island (1950) Alice In … Nineteen fifty-two had been disastrous for the studio financially, and Hughes's divestiture of the RKO theaters the following year did nothing to help. One of my all time favourite series I didn’t know that it was, but I will make a couple of more of these. He sold his shares in 1955 to the General Tire and Rubber Company. By the end of the year, at a cost of $23.5 million, he had gained near-total control of RKO Pictures, becoming the first virtual sole owner of a studio since Hollywood's pioneer days. Hughes soon found himself the target of no less than five separate lawsuits filed by minority shareholders in RKO, accusing him of malfeasance in his dealings with the Chicago group and a wide array of acts of mismanagement. Looking to forestall a major legal imbroglio, in early 1954 Hughes offered to buy out all of RKO's other stockholders. In New York, WOR (AM) was acquired by Buckley Broadcasting and WRKS-FM (the former WOR-FM) went to Summit Communications. Production chief Schary quit almost immediately due to his new boss's interference. Ann Sothern starred in seven RKO films between 1935 and 1937, paired five times with Gene Raymond.
C&C Television Corp., a subsidiary of beverage maker Cantrell & Cochrane, bought the RKO rights and was soon offering the films to independent stations with ads for C&C Cola already edited into the pictures. Although the depression started, it didn’t stop the studio from spending a lot of money and as a result struggled a lot with its finances. early 30’s After the merger with Pathé this logo was shortly used. After a half-decade in the most recent round of hearings and investigations, the FCC stripped RKO of WNAC's license on June 6, 1980. For the real logos for RKO Pictures, see the RKO Pictures article on Logopedia. In August 1987, FCC administrative law judge Edward Kuhlmann found RKO unfit to be a broadcast licensee on the basis of an extensive pattern of deceptive practices and recommended that the FCC strip the company of its franchise rights.
Hartley and Merrill, the majority interest holders in RKO, claimed that the owners of WSFA fraudulently induced them into signing an acquisition agreement by concealing their "cynical and rapacious" plans to acquire RKO Pictures with the intention only of dismantling it. Logo: In the end titles of a film, we see an equilateral triangle pointing down with a "thunderbolt" drawn 3/4 through it. (Bischoff would be the last man to hold the job under Hughes.) 1987-1992 The original company produced films from 1929, the year after its inception, through its dissolution in 1959. A number of RKO Bs, notably the movies created by producer Val Lewton's horror unit, such as Nineteen forty-six was the most profitable year in the history of RKO, but 1947 brought a number of unpleasant harbingers for all of Hollywood. The British government, followed by others, imposed limits on how much capital American movie companies could withdraw annually, curtailing one of the studios' primary sources of earnings. The asking price of $15.5 million convinced the other major studios that their libraries held profit potential—a turning point in the way Hollywood did business.
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